TV, Video, and Film Camera Operators and Editors earn $75,100 median – here's the pay breakdown
The median salary for Television, Video, and Film Camera Operators and Editors is $75,100 per year, according to the Bureau of Labor Statistics. That translates to roughly $36 an hour, with the highest-paid 10 percent earning above $139,350 and the lowest-paid 10 percent earning below $39,350. This occupation spans a wide range of roles, from news camera operators to Hollywood film editors, which explains the broad pay spread.
How much Television, Video, and Film Camera Operators and Editors earn
The BLS reports a mean annual wage of $84,800 for the occupation, with an hourly mean of $40.77. But most workers fall well within the typical range of $39,350 (10th percentile) to $139,350 (90th percentile). The median – the midpoint where half earn more and half earn less – is $75,100.
Pay scales vary significantly by industry. Camera operators in motion picture and video industries tend to earn higher wages, while those in local television or smaller markets earn less. Experience, location, and specialization (e.g., editing vs. operating) also drive differences.
- National median salary: $75,100
- Mean salary: $84,800 ($40.77/hour)
- 10th–90th percentile range: $39,350–$139,350
- Total U.S. employment: 47,160
- Projected growth 2024–2034: not available
Pay by state
State-level data from the BLS shows the highest average wages for camera operators and editors in California, New York, and Washington – states with major film and television production hubs. The lowest average wages tend to be in states with smaller media markets, such as Montana, Wyoming, and Mississippi. For exact figures, readers should consult the latest BLS OEWS report, as state rankings shift yearly.
How to become a Television, Video, and Film Camera Operator and Editor
Most camera operators and editors enter the field with a bachelor's degree in film, broadcasting, or a related field. Associate degrees and certificate programs from technical schools also provide a viable path, particularly for specific skills like editing software or camera techniques.
Typical entry-level roles include production assistant, camera assistant, or junior editor. Building a portfolio of work – through internships, freelance projects, or student films – is essential. Many professionals join unions like IATSE for higher-paying film and TV jobs, which often require apprenticeship and experience.
- Bachelor's degree in film, broadcasting, or media production is common
- Associate degree or certificate also accepted for technical roles
- Build a portfolio through internships, freelance, and student projects
- Union membership (IATSE) can lead to higher pay
- Continuous learning of editing software (e.g., Avid, Premiere Pro, Final Cut Pro) and camera equipment
Job outlook
Employment growth projections for Television, Video, and Film Camera Operators and Editors from 2024 to 2034 are not available from the BLS. However, the broader media and telecommunications sector faces competition from streaming services and user-generated content, which may create both opportunities and pressure. Historically, demand for skilled editors and operators remains steady, especially in major production centers.
Frequently asked questions
What is the median salary for TV, video, and film camera operators and editors?
The median annual salary is $75,100, according to the Bureau of Labor Statistics.
Do camera operators and editors need a degree?
Most employers prefer a bachelor's degree in film or broadcasting, but an associate degree or certificate plus strong portfolio can also lead to entry-level jobs.
Which states pay the highest wages for camera operators and editors?
States with major film and TV production, such as California, New York, and Washington, typically offer the highest average wages.
Salary figures are U.S. Bureau of Labor Statistics estimates (OEWS / Employment Projections). For informational purposes only; not career or financial advice. See the full Television, Video, and Film Camera Operators and Editors data.